BROWN SOUND
brown sound chocolate
memories
like the first time
you saw grapes
and tasted them
and learned the color
blue
brown sound cream milk
echoes
like the first time
you saw bees
and tasted gold
and learned the honey
tongue
brown sound africa
pulses
like the first time
you exploded between legs
and heard drums
and learned the message
of rhythm love
brown sound america
pulses plus pushing
down trees
like the first time
you saw that wild crazy horse
riding through painted deserts
and you learned the grand canyon
red mother
brown sound
black outline
like the first time
like the first time
the first time
is the last time
like that
enry Dumas was a brilliant African American poet, seer and short story writer. Henry was born on July 29, 1934, in Sweet Home, Arkansas. During the 1950s, he served in the Air Force and was stationed in Texas and the Middle East. Writing poetry and short stories consumed him during the 1960s. He studied at City College and Rutgers University, and participated in the civil rights and Black Power movements of his time.
memories
like the first time
you saw grapes
and tasted them
and learned the color
blue
brown sound cream milk
echoes
like the first time
you saw bees
and tasted gold
and learned the honey
tongue
brown sound africa
pulses
like the first time
you exploded between legs
and heard drums
and learned the message
of rhythm love
brown sound america
pulses plus pushing
down trees
like the first time
you saw that wild crazy horse
riding through painted deserts
and you learned the grand canyon
red mother
brown sound
black outline
like the first time
like the first time
the first time
is the last time
like that
He found inspiration in the African and African American experiences. Some of his fiction employs a style of magic realism, innovative for this time but quite common nowadays. In 1976, James Baldwin selected his story "Thalia" for the Black Scholar literary prize. Dumas was closely associated with the Black Arts Movement of the 1960s, which championed an aesthetic grounded in the black cultural nationalism. But, in the words of Amiri Baraka, Dumas produced a "a true art form, not twenty 'hate whiteys' and a benediction of sweaty artificial flame, but actual art, real, man, and stunning." All that ended when he was killed in April 1968, at the age of 33, at Manhattan's 125th street station by a New York Transit Authority policeman in a case of "mistaken" identity. Dumas had already completed several manuscripts of poetry and prose, the quality and quantity of which are seldom achieved in one short lifetime.
At the time of his untimely death, he and the founder of Kent State University's Department of Pan-African Studies (formerly the Institute for African American Affairs), Edward W. Crosby, worked together at Southern Illinois University at Edwardsville on the faculty of its "Experiment in Higher Education" located in SIU's East St. Louis Center. Prior to joining EHE, Dumas taught in Hiram College's Upward Bound Program in Ohio. Some of his poetry, short stories and novels have been published posthumously by the Southern Illinois University Press, the result of the hard editorial and promotional work of Eugene Redmond and Toni Morrison of Random House, and the original publication impetus provided by Dr. Edward W. Crosby, Director of Education at EHE, 1966-1969. The first two works — Poetry for My People and other Stories and Ark of Bones — were edited in 1970 by the poets Eugene Redmond and the late Hale Chatfield, a published poet and professor of English at Hiram College in Ohio. Eugene Redmond, who also worked with Dumas and Crosby, in East Saint Louis, later edited his Play Ebony, Play Ivory (1970),Jonah and the Green Stone (1976) and Rope of Wind and Other Stories (1979). Redmond also edited Dumas' collection of short stories, Goodbye, Sweetwater(Thunder's Mouth Press, 1988).
